Event Tips for Videographers

Event Tips for Videographers

Events are like a wave, everyone comes crashing in on the first day. In this space of event production for conferences (namely corporate event production services for multifamily and syndication) we’ve learned that if the brokers aren’t there, then nobody is there. Because everyone is there to make money.

Videographers in a similar space or any space wherein conferences serve as networking events for syndication will tell you that on the 1st day, conference-goers close the deal with their newfound network, and then on days 2 and on, excitement and energy slows down. The deals have been closed, now people just attend to eat the good food, maybe continue furthering education, and even to write the attendance off as a business expense, so they drudge through panelists and the like.

What we do differently and would like to advise all videographers that shoot event production and are looking for new prospects is to make sure that these event-going prospects see us working hard. This is OUR time to close the video production deals. What sets you apart as a videographer is to be in control, and if you aren’t then at least look like you’re in control and in the working mode. It’s the impression that matters, so if you don’t have a big camera, make it big! Build a large rig so that your gear impresses all who see it in the room.

An event recap production, event photography, testimonial videos, video advertisements, and event sponsor endorsement videos are the content we happen to be focusing on in our next upcoming 3-day event. So over these three days, our narrative will be BME (Beginning, Middle, and End). To sum this up, can we tell the story within 2 minutes?

After each event production service, you should come away with not only the overall event recap with a solid BME but also multiple smaller content pieces with their own BMEs. You want photos, if you’re part of a team or have one of your own, you and/or your team want to focus on the narrative. For more about using your event photographer, event production services, or video production content in a way that is vertically aligned to your video marketing efforts, read our article on why you should use photography for your business.

Testimonials

Testimonials are very simple, have them speak briefly on who they are, what they do, what they enjoyed about the conference or corporate event, and why they would come back. Use your intuition to source your interviewees among the conference-goers. Have good eyes on the right people.

The interviewee carries weight for the brand you’ve built for your client. This means having the good judgment to be able to find someone well-spoken who can represent your conference as a whole. These are excellent for social media video production for posting, video ad production content and a litany of promotional and video marketing service verticals. Actively scout for these testimonials. Who is asking questions? Who looks intrigued? Pay attention and write these things down. You can also stitch together corporate event production/conference videographer style b-roll footage using this content and boom. You have a phenomenal pitch deck.

Staging the Scene

The frequency of the crowd matters. Is the crowd rich and thin? Are some of these people of the caliber to privately host a dinner at a steakhouse? If you can identify the sponsors in the room, then get photos of them. Have someone shake their hand to stage a shot. If you’re on event photographer or videographer on duty; event crowd shots, individual speakers and panelist videos, and scenes (use a wide-aspect look) are what you want to get.

Another tip that nearly every professional event production company or corporate event production company does is to make the conference look even bigger than it is. Be bullish about pulling people together. Task your event coordinator to shift people into space, move chairs forward and be intentional about the shot.

Make it feel and look like a conference production package and never come home without full SD cards! Hit that shutter like you’re trying to kill the camera. Don’t be afraid to run those memory cards. Nothing should make you more upset than to come home and see less than a full terabyte of data (nope, we’re not kidding). Event when you’re working a small wedding video production, this is critical. You want to be able to then go to these prospects in content shots and sell your event production services and event photographer skills to them in the future.

The Payers Get the Pics

Guests, panelists, and scene – those shots are important. Know who your panelists are. Candidates that are engaged and maybe trying to impress those on stage – are great people to interview. You create digital assets. Make these assets valuable using forward-thinking and a plan for who might want these photos and why. And then make sure the photos match that selling point

Imagine we have a panelist that owns a 20K+ apt unit they’re trying to syndicate. If we think about what would be valuable to our panelist, it could very well be footage of people raising their hands to ask questions and visually showing interest. We want to have that footage! They will buy it from us to use for real estate video marketing.

Think along these lines: If you’re a photographer at a VIP dinner, where would you be when people are walking in the door? A scene shot would document from a distance where they’re even at. Be the eagle, jump out and don’t be the troop in the mud, come out of the mud and see the scene. Emotionally charged people about a deal are voyeuristic shots for photos that people want to see. And what they will pay for.

Take Care of Your Team

If you do have a video production crew or are growing in clientele to a point where you’re thinking about hiring a videographer on for some help, 1) we support this 100% and 2)  it’s very important to make sure you and your team are well-rested, takes their vitamin C and always have a plan B in case someone has to drop their pack.

Before an event production service, you need to be at the top of your game. Of course, the hard part is when your event comes on a Saturday after a full week of shooting and editing! A tip from us is to realize that this moment is the one that sets the women and men apart from the girls and boys!

If you’re using the event to feel out new talent from those who came to help you: see who has the follow-through to stay motivated on the final hours of the show and then during post-editing. Note who shows up early, who asks questions, and who can follow directions. Grade your candidates/talent on a scale from one to 5 on items the most important to you such as work ethic, punctuality, expertise, trustworthiness, and the ability to handle stress. 

If you’re interested in learning more about our Dallas event production company and how we view each video production service as a potential opportunity for monetization (beyond the simple event recap video production service), reach out to us or leave a comment below. 

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J Wardrup

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15 Best Outdoor Event Video Production Tips

15 Best Outdoor Event Video Production Tips

Some of the best outdoor video production tips would surprise even the most seasoned event video production company or event videographer veteran. Anticipating some of the variables of outdoor video production shooting will help both the client and videographer/video production company. Here are some top tips to think about when filming during an outdoor event video production service.

Best Outdoor Event Video Production Tips 

Mitigate By Planning

Planning is a golden rule in videography. And an outdoor video shoot is a part of video production that requires serious planning to mitigate potential disasters and mistakes. If you haven’t been burned before, as a videographer, something is bound to happen anytime production takes place outside. Read our tips for well-planned mishap mitigation.

1. Check the Forecast

A three-day-prior weather forecast check (with all event production parties involved) ensures that your planned outdoor or live event production doesn’t turn into an eventful videography disaster. Most of the time, weather-related changes will just lead to an event’s rescheduling. But getting on-site with a client to shoot and seeing that an anticipated sunny day has turned into a cloudy and stormy one WILL change the quality and look of your footage.

2. Rebook if Needed

As it would in an event’s recap video, event speaker video or corporate event production service, this also applies in any outdoor video production job. An example would be if a client is looking to have a drone videographer film a segment to include in their small business location video for advertising. But there’s anticipated rain. It’s worth it to rebook if it means having sun, and if this is an important preference by the videographer or client in the final video.

In Sunny Weather

If the forecast says sun, you’re in luck! But you still have some major outdoor videography hurdles to jump. 

3. Use Diffusion and Reflectors

Another one of our event tips for videographers working outdoors is bringing a 10X10 scrim/reflectors. Diffusion and reflectors will help drastically when shooting for an event’s interview or talking heads. They also harness the power of the biggest light source you have, the sun!

4. Bring an Umbrella


Bring an umbrella if you need to keep the camera cool as there is nothing worse than having your camera say “overheat”. This could bring down your video production quality and turn a half-day of production into a full-day.

5. Bring Water and Snacks

Bringing extra water and snacks for you and the client’s you’ll be working with directly will help lessen the brutality of hot temperature throughout the day. Water keeps everyone hydrated, and snacks keep the morale high. And…well…who doesn’t love snacks?


6. Bring Paper Towels

To assist in keeping interviewees and event attendees being filmed up-close, it’s very helpful to have some paper towels on-hand for “dabbing” their forehead and face. These areas accumulate noticeable, gleaming sweat beads in higher temperatures.

7. Consider Neutral Density Filters

If your camera doesn’t have internal ND (neutral density filters), definitely bring a set so you’re not compromising on the aperture to stop-down.

In Cold or Frigid Weather

8. Wear Thermals and Layers

Thermals Thermals Thermals. Wearing thermals underneath your clothing will take the bitter edge off of your outdoor event video production service by reducing the instability in footage caused by body shakes and shivers when filming. The impact is noticeable 10X in post-production, when B-roll segments are necessary to support, say, an event interview video, with high quality.

9. Keep a Running Vehicle

Another thing to think about is having a warm vehicle running close to your video production location. When filming in sub-degree temperatures, having warm hands and feet as an outdoor event videographer are vital. Because, due to tight hands, accidents are high-in-risk. This could mean falling, misstepping and/or dropping your precious camera rig.

10. Fill Up Beforehand

Doing this tip likely means you’ll need to fill up your gas tank prior to showing up on site, and recognizing this as an investment on your part as an event video production specialist. This is in much the same way as your investment into quality cinema cameras, trustworthy lighting gear, capable lenses, batteries, or whatever is applicable to your videography service offerings. Sure, you may burn 50 dollars on an idle vehicle, but when you’re taking a 5-minute break, you want to make sure you’re replenishing your extremities’ ability to move in a safe manner.

Environmental Factors to Consider

11. Watch for Sand and Dust

Filming outdoors always comes with risk but there is no larger risk, outside of water, than sand and dust. It may not sound like it’d be a major hindrance, and for this reason, they’re largely unnoticed by novice event videographers. That is, until they find the sand of a golf course trapped between the optical sets of an expensive lens or dust in every nook and cranny of their camera body – so much horror and headache to realize while unpacking after a long day shooting an event.

12. Do a Site Survey

Surveying filming zones or sets before the outdoor video production day is an important measure to resolve potential sand and dust problems proactively. When factoring sand and dust, assume that wind will always carry these two in your direction, because (somehow), it always does.

13. Use a Trash Bag

If this is a possible concern observed in your survey, covering gear in a raincoat sleeve or a trash bag with optic holes will help a ton in decreasing the headache and damage of dust and sand.

Our event video production crew have actually used both, and the trash bag wins as the top sand and dust repellant. This is due to it being something that can be packed away in a camera kit easily, takes up virtually no space, and is something an event/outdoor videographer can modify quickly with gaff tape.

As an event production company in Dallas, Texas, and because we travel throughout the United States for event production services, we’ve had our fair share of sun, heat, sand, and even frigid outdoor production issues. Over time, our event videographers have faced each of these situations first-hand, and we hope that these tips help you expect the unexpected, at our expense instead of yours! Leave a comment and tell us what you’ve found to help in outdoor video production.

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J Wardrup

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